Mothman Monster

The Mothman is the name given to a creature reported in the Charleston and Point Pleasant areas of West Virginia between November 12, 1966 (near Clendenin), and December 1967. Most observers describe the Mothman as a winged man-sized creature with large reflective red eyes and large moth-like wings. The creature often appeared to have no head, with its eyes set into its chest. A number of hypotheses have been presented to explain eyewitness accounts, ranging from misidentification and coincidence, to paranormal phenomena and conspiracy theories. The Mothman phenomenon is sometimes associated with a mystery man named "Indrid Cold," although the relationship between the two varies from story to story. (In the film The Mothman Prophecies, Indrid Cold is depicted as the identity the Mothman takes when it assumes human form.) A seven-foot-tall, well built, humanoid monster with giant red, glowing eyes and huge brown wings, a creature who can ascend to the skies from a standing position, and fly at astonishing speeds, and who mutilates pets and instils instant fear in the hearts of all those who see him.

Yet, for over a year in the mid 1960s more than 100 otherwise reliable residents of a small West Virginian town distinctly saw the horrifying figure that terrorised their community. They saw ‘Mothman’. In early November 1966 various sightings of a huge, strange ‘bird’ were reported around Point Pleasant, West Virginia, USA.

On 12th November, five gravediggers preparing a plot reported seeing a ‘brown human being’ take to the air from some nearby trees and pass over their heads. It was not until three days later that the creature really terrified the community with a close encounter. On 15th November, two young couples were driving together near the McClintic Wildlife Preserve, just outside Point Pleasant. The area was known to locals as ‘TNT’, because it had been used as an explosives depot during the Second World War and there were many abandoned chemical and industrial plants in the vicinity.

Mothman Sightings

Late in the evening, the two couples approached an old generator plant and saw that its door appeared to have been ripped off. It was then that they noticed two huge red eyes shining out of the gloom at them. These hypnotic, staring discs were attached to what they said was ‘shaped like a man, but bigger, maybe six or seven feet tall. And it had big wings folded against its back’. As the creature approached, the young group sped off, but as they looked back they saw it take to the air, rising straight up without flapping its wings. It had a giant 10- foot wingspan, and kept pace with the car despite the vehicle reaching speeds of 100 miles an hour. Eventually the group reached the Point Pleasant city limits, where their aerial pursuer turned away and disappeared. The couples drove straight to the local police station and reported what they had seen. Although local police found nothing at TNT, they accepted the young people had seen something.

Over the next few days reports of a giant ‘bird’ terrorising locals came into police headquarters with increasing frequency. Car passengers had experienced the creature swooping down on them, and the reception on television and radio sets were being disrupted across the region. One man whose television failed lived in Salom, 90 miles from Point Pleasant. At the exact moment his television stopped working, his dog whined from the porch. The man went outside to investigate and spotted two red, glowing lights in his hay barn, at which point his dog ran off. The man, stricken with fear, returned to his house, locked all the doors and windows. That night, he slept with his gun next to him. His dog was never seen again.

Perhaps the most chilling story concerning Mothman happened on 16th November 1966. A young mother was driving to see some friends, who had one of the few houses close to the TNT compound. She said she had seen a ‘funny red light’ in the sky, and, as she arrived at her friends’ house, heard something rustling near her car. ‘It seemed as though it had been lying down. It rose up slowly from the ground. A big grey thing. Bigger than a man, with terrible glowing eyes,’ she said. Horrified, she grabbed her small daughter and ran into the house, locking the doors behind her. The creature followed, creeping onto the porch and staring in the windows. The police were called, but by the time they arrived, Mothman had disappeared.

Over the next year, Mothman was seen by many witnesses including firemen and pilots. Gradually the reports altered into cases of UFOs, strange lights and ‘Men in Black’. At 17.00 on 15th December 1967 the Silver Bridge linking Point Pleasant to Ohio suddenly collapsed, 46 people died as a result, and the residents of Point Pleasant were forced to deal with real horror rather than mythical beasts.

A large collection of first-hand material about the Mothman is found in John Keel's 1975 book The Mothman Prophecies, in which Keel lays out the chronology of the Mothman and what he claims to be related parapsychological events in the area, including UFO activity, Men in Black encounters, poltergeist activity, Bigfoot and black panther sightings, animal and human mutilations, precognitions by witnesses, and the December 15, 1967 collapse of the Silver Bridge spanning the Ohio River.

Keel's first book was the basis of a 2002 film, The Mothman Prophecies, starring Richard Gere, Laura Linney, Debra Messing and Will Patton, directed by Mark Pellington. A companion book called The Eighth Tower, also released in 1975, was derived from material edited from The Mothman Prophecies by the publishers. In the May-June 2002 issue of the Skeptical Inquirer, journalist John C. Sherwood, a former business associate of UFO hoaxer Gray Barker, published an analysis of private letters between Keel and Barker during the period of Keel's investigation.

In the article, "Gray Barker's Book of Bunk", Sherwood reported finding significant differences between what Keel wrote at the time of his investigation and what he wrote in his first book about the Mothman reports, raising questions about the book's accuracy. Even though Sherwood had reported that Keel would not assist him in clarifying the differences, a simple analysis of Keel's earliest Mothman book, Strange Mutants: Demon Dogs and Phantom Cats (1970) shows almost no difference with what Keel wrote in The Mothman Prophecies five years later.

Their creature’s reign of terror paled into insignificance and he was forgotten. However, many people still believe the bridge disaster may have been Mothman’s terrible final act.

(Taken from many sources)
19:53 | 0 komentar

Quebec's Hammer of Thor

In 1964, archaeologist Thomas E. Lee was scouting near an excavation under way near the village of Imaha, in northern Quebec, when he found a tall, curious monument on the desolate north bank of the Payne Estuary, 15 miles above the village of Payne Bay, near the west coast of Ungava Bay. The two-ton stone structure stands 8 feet high and measures 4-1/2 feet across at its pointed lintel, surmounted by a 14-inch-high capstone. While the pillar was a surprise to Lee and his colleagues, he later learned from the native Inuit that they had known of it for generations. Yet, they laid no claim to it, insisting that the strange object was already standing long before the first of their ancestors arrived in the area. Moreover, the Inuit never worked in stone on such a large scale. Lee was struck by its roughly Nordic design and dubbed it “the Hammer of Thor.”

The stone structure might also be a direction indicator, because it appears to point toward the remains of a rectangular stone structure (80 feet long and 30 feet across) not far away. The outline of slanting walls half-buried in the hard ground resemble a Viking long-house from the 10th or 11th centuries.

Greenland is not very far from this point in Quebec, so Norse visitors 1,000 years ago could have sailed the distance in their sturdy dragon-ships and left a memorial to their arrival. Lee’s characterization of the Ungava Bay object as a “Hammer of Thor” does not seem inappropriate. Similar stone structures appeared throughout Viking Age Scandinavia; the Temple of Thor in Sweden dates before 1125. We know that Nordic seafarers voyaged at least as far as Newfoundland and that they certainly did not lack ships to bring them to Quebec from relatively nearby Greenland. Thor’s hammer was the most commonly reproduced religious object of the period. It was known as Mjoellnir, and was envisioned as the lightning, as it flew from the stormgod’s hand. He was the patron deity of fertility, but also of courage and decisive action. Thor was portrayed in saga and art as a middle-aged man of great strength, with long, red hair and beard. He was sometimes shown being carried across the universe in a great chariot drawn by rams.

Hammer of Thor

The 1,000 year old Quebec monument was probably set up to call upon his strength of will in a difficult land. Interestingly, a bronze statuette from Northern Iceland (National Museum of Iceland, Reykjavik) of Thor with his hammer, circa 1000, portrays him wearing a conical hat virtually identical to the headgear worn by male figures depicted at the white stone of Ontario’s Petroglyph Provincial Park. Mjoellnir was not merely a symbol for meteorological events, however. The gods of Valhalla (the Aesir) proclaimed it the single most valuable object they possessed, and its likeness appears to have been reproduced by Viking shamans to hallow marriage rites, to bless the recently departed souls of the dead at funerals and to consecrate newborns into the community. Mjollnir’s image was inscribed on a Swedish tombstone at Stenqvista. It thus resembles a higher symbol of the birth-death duality not unlike the sacred Double-Headed Axe of the Bronze Age, particularly as realized in Minoan Crete.

In a particularly revealing myth of Thor and his Hammer, he restores the dead to life through the potency of its magic. As the Norse specialist, Ellen Davidson, writes, “It would seem indeed as though the power of the thunder-god, symbolized by his Hammer, extended over all that had to do with the well-being of the community. It covered birth, marriage and death; burial and cremation ceremonies; weapons and feasting; traveling; land-taking and the making of oaths between men. The famous weapon of Thor was not only the symbol of the destructive power of the storm and of fire from heaven, but also a protection against the forces of evil and violence.” But “Thor’s Hammer” is not the only stone structure of its kind in Canada.

During August 1972, Dawn French took up residence in the small town of Pushthrough, an outpost thirty miles west of Bay du Nord, on the south coast of the island of Newfoundland. While there, she heard strange tales of the legendary Stone Cross, a structure supposedly venerated by the local Micmac Indians for centuries before the arrival of modern European immigrants. No one had actually seen it and its whereabouts were unknown. Curious to learn more, French studied the native traditions, which described a sacred precinct, lonely and barren, where people in need of healing would find a large, unusually shaped cross spread out on the ground. It was the site of supposedly miraculous cures, but, over time, with the advent of the white man’s medicine, the place was abandoned to myth. The Micmacs are an interesting people. Their name means “Allies,” a reference to the confederacy of clans they formed and led, thus becoming the largest and most important native tribe in Canada’s eastern Maritime Provinces.

A seasonally nomadic people, the Micmacs’ Algonkian dialect differs greatly from that of their neighbors, and has some suggestion of Scandinavian cognates. Their possible linguistic links to Medieval Europe are underscored by what appear to be Nordic recessive gene traits among the Micmac (recurring blondness) and especially by the discovery at the island’s northern extreme of the first professionally authenticated Viking site in the New World, at L’Anse aux Meadows, today a National Historic Park.

Even more intriguing, the late epigrapher Dr. Barry Fell demonstrated a fascinating parallel between Micmac birch-bark characters and ancient Egyptian script. What, if anything, these possible prehistoric themes may have had to do with the lost Stone Cross of southern Newfoundland, French was not sure, but she was determined to find it. Basing her work primarily on old legends, she compiled a rough map that took her inland from the Bay du Nord and over the high cliffs of Devils Dining Table. On their opposite side, in a barren plain surrounded by hills thick with spruce trees, she found the object of her quest. It was spread out on the arid ground, the huge outline of a diamondshaped cross, as though it were opening itself up from the center. Measuring 30 feet from north to south, it more closely resembled a compass.

The design was encircled by a ring of numerous white stones, some of boulder proportions and others piled into rough heaps, mimicking crude towers or the abstract configuration of statues. From the vantage- point of one of these piles, French could make out the faint image of a man upon the cross, not in a crucified position, but as though he were emerging from the diamond opening. She remembered a Micmac tradition concerning these stones: It was permissable for a visitor to remove one, to keep it for his own healing purposes, so long as he replaced it with another. Two stone basins lay near the south end of the structure, one perhaps for ablutions, the other for donations; in the latter she found several old coins, a single example dated 1865.

Although French had discovered (perhaps re-discovered) the Stone Cross, she found no answers to her questions: How old was it? Who made it and why? Who was the last to see it before us? What illnesses had been cured? How many had been truly healed? Beyond these enigmas, she experienced a feeling of profound wonder, a sensation of being in a sacred zone, a sacrosanct area with an emotional character all its own that was not frightening, but certainly powerful.

If the Stone Cross of Newfoundland is Norse, its diamond shape renders it a most peculiar Christian design occurring nowhere else, its compass-like configuration might refer to a kind of “Christ-of-the Mariners” for Vikings far from home, even if that home were only L’Anse aux Meadows. It could also pass for an icon of that other people who supposedly impacted the Micmacs, the ancient Egyptians. For them, Ausar (better known by his Greek name, Osiris), the man-god of resurrection, was a proto-Christian concept associated with the Cross of the Four Cardinal Directions.

(Atlantis Rising Magazine Vol.66: "Quebec's Curious Hammer" written by Frank Joseph)
17:50 | 2 komentar

Ancient City of Dwarka

Dwarka (Dvarka, Dwaraka, or Dvaraka, is a city and a municipality located in the Jamnagar district of Gujarat state in India). Dwarka also known as Dwarawati in Sanskrit literature is rated as one of the seven most ancient cities in the country. The legendary city of Dvaraka was the dwelling place of Lord Krishna. It is believed that due to damage and destruction by the sea, Dvaraka has submerged six times and modern day Dwarka is the 7th such city to be built in the area. According to Hindu legend the god Krishna built a city which was ultimately destroyed by rising sea levels. Now archaeologists and Indian Navy divers are investigating underwater ruins at Dwarka on India’s western coast, said to be Krishna’s city. The new efforts, it is hoped, will settle the debate currently raging over the age and authenticity of the site near the Samudranaraya temple. Divers have collected blocks and samples which will now be dated.

Traditional Hindu scholars referencing ancient Hindu scriptures believe the location to be very ancient, originally built many thousands of years ago. Such notions are, of course, vehemently rejected by establishment scientists though they are willing to concede that there is evidence indicating an age of as much as 3500 years.
Of course the date when the city was destroyed would be long after the date of its inception, so a definitive maximum date has not been established. The new study is expected to resolve some of the issues. Archaeologists will now use the carbon dating technique to determine the exact age of the ruins. The earlier excavations, that first began about 40 years ago, had only revealed stones, beads, glass and terracotta pieces.

“The operations resulted in retrieval of wooden block from a submerged circular structure. The blocks were joined so well with the help of wooden dowels and nails that they remained in situ despite heavy surfs and strong currents for a long period,” said -->Alok Tripathi, Superindenting Archaeologist of the Underwater Archaeology Wing of the Archaeological Survey of India who is also an expert diver.

The samples of the excavation have been brought to the capital and shall soon be given for lab testing. Though there had been previous excavations, each cited different dates and were based on the interpretations of scholars as there was no material evidence to back those claims.

Another Submerged Wall That Have Been Found

The first excavation in Dwarka, carried out by the Deccan College Post-Graduate and Research Institute, Pune and the Department of Archaeology, Government of Gujarat in 1963, had revealed artefacts that were 2000 years old. Several other excavations followed, all revealing different artefacts and to different time periods.

Two years ago, the Underwater Archaeology Wing (UAW) of the Archaeological Survey of India undertook the systematic study of Dwarka and after thorough analysis of previous researches, started excavation work in January with the clear objective “to know the antiquity of the site based on scientific study of the material evidence.” The holistic nature of the excavations can be judged by the fact that for the first time “excavations were conducted simultaneously on land, near famous Dwarkadhish temple, and also offshore so that finds from all the excavations can be analysed, correlated and studied scientifically,” Tripathi said.

Dwarka is among several coastal Indian sites now under investigation which show evidence of advanced development before sea levels reached their current height and thus provide significant evidence of pre-diluvian civilization—the existence of which is denied by conventional archaeology.

Sources & Pic Sources:

Underworld: Flooded Kingdoms Of The Ice Age by Graham Hancock;;
17:07 | 0 komentar

Queen Of Sheba

The mystical figure known as the Queen of Sheba is recorded in the First Book of Kings in the Old Testament. It states that around the tenth century BC a queen of the rich trading nation known as Sheba decided to meet the great King Solomon in person. She did not believe the stories she had been told of Solomon’s wisdom, and brought many hard questions to test him. When his replies met with her approval she gave him plentiful gifts of gold, spices and precious stones. In return, Solomon gave the queen ‘all her desire’, and after their meeting she returned to her own country. The story is repeated in the second Book of Chronicles, and even Christ himself spoke of a queen of the south who came to hear the wisdom of Solomon. Other than this, precious few pieces of historical evidence have survived, but that has not stopped the growth of countless myths and stories. So who was the real Queen of Sheba?

Perhaps the most famous and important extension of her story is that connected with Ethiopia. In 1320 an Ethiopian monk named Yetshak wrote a compendium of legends called Kebra Negast or ‘Glory of the Kings’. In it, he said that when the Queen of Sheba, referred to in Ethiopian as Makeda, visited Solomon, she was seduced by the great king. Solomon had said that the queen was welcome to his hospitality, but must not take anything without asking.

During th
e night, the Queen suffered a terrible thirst caused by a spicy meal Solomon fed her and she drank the water placed by her bed. The king said she had broken the rules, and must sleep with him as repayment. Nine months later she gave birth to a boy called Menelik.

Throne of Bilquis / Balkis

Ethiopians believe that the Queen and her son both accepted the Jewish faith, and that Menelik founded the Solomon Jewish, and then Christian, dynasty in Aksum, Ethiopia. At around the same time as Yetshak was compiling his tome, other legends were forming in Europe. A thirteenth century story told in the Legenda Aurea stated that the queen was a prophetess connected to the crucifixion of Christ. Over time, she also became an integral part of religious decorations and art. She was often seen as a sorceress, and then a seductress. Strangely, she is also featured as having a secret deformity – French Gothic sculpture often shows her having a webbed foot. In the same way, the Temptation of Saint Anthony by French novelist Gustave Flaubert depicts the queen as a lustful temptress with a withered limb. This imperfection perhaps arises from earlier Jewish and Islamic references to her. In both the Koran and the Jewish Book called the Targum Sheni, the queen meets Solomon and reveals that she has hairy feet.

The Jewish tradition later features her as a demon or seductress, whereas Islamic legend states that Solomon used his magicians’ power to remove her excess hair and married her. Muslims call the Queen of Sheba Balkis, and believe her great nation was based in the Yemen. The Koran describes Sheba as being two gardens, irrigated by a great dam. An advanced level of farming, and good access to Red Sea shipping channels and Arabian camel trains, meant the nation prospered. Archaeological proof of this occurring in Southern Arabia has been uncovered. The remains of a great dam can be viewed in the Mareb region of the Yemen, now considered to be the capital of the ancient Sheba nation. This dam collapsed in AD 543, but scientists have been able to deduce that it would have been used to irrigate over 500 acres of farm land.

Temple of The Moon God

In recent years, archaeologists have finished restoring an ancient temple known as the ‘Throne of Balkis’ in the Mareb region. The structure dates from the tenth century BC, so is from the right era to link with what we do know about the queen. Two miles to the east of the Marab region, another ancient building, known as the ‘Temple of the Moon God’, is also being studied. Scientists using radar equipment believe this is an extremely large and elaborate structure, and could yield the answers to many Sheba mysteries. Unfortunately such investigations have been plagued over the years by political indifference and, until these areas become more secure for researchers to study, the true history of Sheba may continue to be obscured by myth and legend.

(Source : 100 Most Strangest Mysteries by Matt Lamy)
21:21 | 1 komentar

Caddie Monster

Caddie (sometimes Caddy) is the nickname of the sea creature that has continued to mystify folk who live along the coast of British Columbia—or its descendants have, anyway. It takes its name from the nonce word cadborosaurus, saurus from the Greek saura, lizard, and cadboro from Cadboro Bay, which lies within the provincial capital Victoria, on Vancouver Island. Sightings of a strange animal living in the straits and sounds of this region of western Canada apparently go back to prehistoric times, since they are recorded in the myths and legends of the Salish Indians who have occupied British Columbia and the northwestern United States for a considerable period. The coastal Salish speak of a friendly beast known by the Sechelt Indian name of T’chain-ko, said to have been seen at a number of places along this coast but particularly in the straits between the British Columbian mainland and the many offshore islands.

There have been sightings of a strange sea creature as recently as the late 1970s, but Caddie’s credibility seems to be founded on a series of sightings made on the coast of the lower mainland between 1932 and 1934. (The Salish of the British Columbian interior may also be responsible for the story of Ogopogo, the monster or serpent that is claimed to inhabit the otherwise entirely beautiful and innocent Lake Okanagan in the British Columbian interior; if not the Salish, then the British Columbian government tourist authority may be responsible. A report in a local paper in Victoria, British Columbia, suggests that Caddie and Ogopogo are related species.)

Illustration of Caddy's Head

On October 8, 1933, Major W. H. Langley, a well-known barrister and at that time clerk of the British Columbia legislature, while sailing off Cadboro Bay in the early afternoon with his wife, saw a large creature “nearly eighty feet long and as wide as the average automobile” wallowing around in the water. It was as large as a whale, but its serrated back and greenish-brown color precluded that beast as a possibility; anyway, said Major Langley, he’d once spent time on a whaling ship and could therefore be relied on to know his whales. A report of Langley’s sighting was published in the Victoria Times Colonist, which encouraged one F. W. Kemp to admit that he, too, only a year earlier and in the same location, had seen what was very likely the same monster, but had—probably sensibly, since he was an otherwise reliable employee in the provincial archives—kept quiet about it for fear of ridicule. Kemp and his wife saw the creature’s serrated back, which closer to the tail “resembled the cutting edge of a saw”; its color was greenish-brown.

Monster Caddie

During the next two years there were reports of dozens of sightings up and down the coast by fishermen, steamer captains, quarry owners, an accountant with the Canadian Pacific Railway, and a gaggle of important folk on a steam yacht. All agreed on the animal’s appearance: a long looped body with a slender neck, perched on top of which sat a head much like that of a cow or a camel.

In February 1950 no less a personage than Chief Justice James T. Brown of the King’s Bench, Saskatchewan, laid his professionally doubting eyes upon what had come to be known as Caddie, and was convinced. Readers who have checked other accounts of sea serpents and monsters in this collection will be impressed with the number and undoubted probity of many of the witnesses who happened to be in the right place at the right time. Perhaps Democritus (about 460–370 B.C., Greek philosopher) knew more than he was letting on when he said, “Nature has buried truth at the bottom of the sea.”

(Source : Seafaring, Lore and Legends)
18:05 | 0 komentar


In the wilds of north america a mystical ape-like creature hides in the shadows. Standing over seven feet tall and having an immense, muscled body, it should be hard to stay concealed. Many that see him say he just disappears into the background. Like a man, he walks upright, but the short black hair covering his entire body indicates he is no homo-sapien. No bodies, bones or remains have ever been found despite more than two centuries of searching. The only evidence we have of this mythical beast is its huge tracks. That is why the creature is named ‘Bigfoot’. Like many legendary Native American monsters, Bigfoot is a central part of indigenous traditional tales. They call him ‘Sasquatch’, the ‘hairy giant of the woods’. But it was his early personal introduction to European settlers that sparked off real interest.

In 1811, David Thompson, a white trader, was in the north Rocky Mountains when he spotted a set of massive 14 by 8-inch footprints. Perhaps the most remarkable and most thoroughly documented account of a Sasquatch from those early days in Canada occurred in 1884 and was recorded in the Daily British Colonist, July 4, 1884.

In the immediate vicinity of Number 4 tunnel, 20 miles from Yale, British Columbia, a group of railroad men captured a creature that could truly be called half-man and half-beast. The men called him “Jacko” and described him as looking much like a gorilla, standing about four feet, seven inches and weighing 127 pounds. The only sound that issued from him was a kind of half-bark and half-growl. Jacko was described as having long, black, strong hair and resembling a human being with the exception that his entire body, except his hands and feet, were covered with glossy hair about one inch long. His forearm was much longer than a man’s forearm, and he possessed extraordinary strength. The man who became Jacko’s “keeper,” George Telbury of Yale, announced his intention to take the man-beast to London, England, to exhibit him. All traces of Jacko vanished after the rash of news stories recounting the details of his capture.

The American and Canadian mountains gradually grew awash with stories of Sasquatch appearances; there were even reports of gangs of strange creatures attacking people in the forests. The Sasquatch phenomenon was never solely focused on the idea of a single creature, and people have always considered there might be a breeding colony. At that time, the mystical beasts were primarily of interest to lumberjacks, miners and those who lived or worked in areas where it had been sighted. That changed in 1958 when Jerry Crew, a bulldozer operator working in Humboldt County, California, made casts of the bizarre footprints he had found.

A local newspaper photographed Crew, and his picture was syndicated across the United States. The sight of a man holding a plaster cast record of the tracks of a mysterious beast started the modern Bigfoot legend. But if Crew’s discovery helped to launch the myth, it was an episode nine years later that sealed Bigfoot’s place in the American consciousness. On October 20, 1967, near Bluff Creek, north of Eureka, California, Bigfoot hunters Roger Patterson and Bob Gimlin managed to shoot several feet of movie film of what appears to be a female Bigfoot. With its glossy black hair shining in the bright sun, the Bigfoot walks away from the camera with a stride that is human. It has pendulous breasts, and it looks back at the cameraman as it walks steadily toward a growth of trees. It does not appear to be frightened, but it is obvious that it wishes to avoid contact.

Unknown Dead Creature Looks Like Bigfoot, or Is It Bigfoot?

Experts say that the creature in the filmstrip is over seven feet tall and estimate its weight at around 400 pounds. It left footprints 17 inches long, and it had a stride of 41 inches. Patterson and Gimlin felt that they had at last provided the scientific community and the world at large with proof of Bigfoot’s existence. Although the evidence is startling, many have questioned its authenticity. Some experts believe, if the film is played at a slightly faster speed, it could easily be a human in a costume. However, aspects of the footage are quite amazing. For example, biotechnology scientists have said that for a creature like Bigfoot to walk upright it would need an extended heel. The creature on the film has an extended heel. Experts in the industry initially expected the film merely to be special effects, but they have been unable to find any tell-tale signs that it is a hoax. Similarly, a group of Russian scientists who attempted to determine the correct speed of the film came to the conclusion that the creature really did have a long, lumbering gait.

However, Gimlin himself has entertained the possibility that he might have been an unwitting participant in a hoax orchestrated by his friend. This we shall never know as Patterson died of cancer in 1972. After his examination of the Patterson- Gimlin film, Dr. John R. Napier, director of the Primate Biology Program of the Smithsonian Institution, commented that while he saw nothing that pointed conclusively to a hoax, he did express some reservations about the exaggerated, fluid motion of the creature. He also said that he thought the Bigfoot was a male, in spite of the pendulous breasts, because of the crest on its head, a signature of male primates.

Chris Murphy, a Bigfoot researcher, told the Sunday Telegraph (October 19, 1997) that “very high computer enhancements of the film show conclusively that, whatever it was, it was not wearing a suit. The skin on the creature ripples as it walks.” Other Bigfoot experts have declared the Patterson-Gimlin film to be an authentic documentary of a genuine female hominoid. Two Russian scientists, Dmitri Bayanov and Igor Bourtsev, minutely analyzed every movement of the female Bigfoot on the controversial film and concluded that it had passed all their tests and their criteria of “distinctiveness, consistency, and naturalness.” Who, they ask rhetorically in their chapter in The Sasquatch and Other Unknown Hominoids, “other than God or natural selection is sufficiently conversant with anatomy and bio-mechanics to ‘design’ a body which is perfectly harmonious in terms of structure and function?”

On September 22, 2000, a team of 14 researchers that had tracked the elusive Bigfoot for a week deep in the mountains of the Gifford Pinchot National Forest in Washington State found an extraordinary piece of evidence that may end all arguments about whether or not the creature exists. There, in a muddy wallow near Mt. Adams, was an imprint of Bigfoot’s hair-covered lower body as it lay on its side, apparently reaching over to get some fruit. Thermal imaging equipment confirmed that the impression made by the massive body was only a few hours old. The team of Bigfoot hunters who discovered the imprint—Dr. LeRoy Fish, a retired wildlife ecologist with a doctorate in zoology; Derek Randles, a landscape architect; and Richard Noll, a tooling metrologist—next made a plaster cast of what appeared to be impressions of the creature’s left forearm, hip, thigh, and heel. More than 200 pounds of plaster were needed to acquire a complete 3- 1/2 x 5-foot cast of the imprint. Dr. Jeff Meldrum of Idaho State University stated that the imprint had definitely not been made by a human getting into the mud wallow.

On October 23, 2000 Idaho State University issued a press release stating that a team of investigators, including Dr. Meldrum; Dr. Grover Krantz, retired physical anthropologist from Washington State University; Dr. John Bindernagel, Canadian wildlife biologist; John Green, retired Canadian author and longtime Bigfoot hunter; and Dr. Ron Brown, exotic animal handler and health care administrator, had examined the plaster cast obtained from the mud wallow and agreed that it could not be “attributed to any commonly known Northwest animal and may present an unknown primate.”

More recent sightings of the ape-man have taken on a new and bizarre twist. People have reported seeing UFOs in the regions of Bigfoot appearances. Also, the creatures are now said to have bright red eyes and be carrying glowing orbs. This may seem a strange development, but Sasquatches were always reported as having a quality beyond the physical, and it has always been suggested that when they die, Bigfoot bodies vanish into the ether. This is a shame, because to really accept Bigfoot’s presence, the world needs to see some hard, physical evidence.

(Taken from many sources)
18:24 | 1 komentar


The association of the number 666 with the Antichrist is derived from Revelation 13:18 in which John the Revelator is told in his apocalyptic vision that the number of the Beast is 666 and that the number stands for a person. In John’s world of the first century, the Beast that ruled the Earth would have been the emperor, the caesar, of the Roman Empire, Nero (37C.E.–68 C.E.). Using the Hebrew alphabet, the numerical value of “Caesar Nero,” the merciless persecutor of the early Christians, is 666. Although Jesus (c. 6 B.C.E.–c. 30 C.E.) made it clear when speaking to the apostles that no one will know the exact hour or day of his Second Coming, for many centuries certain Christian theologians have associated the rise of the Antichrist to power and his achievement of a seven-year reign over all the Earth as a kind of catalyst that would set in motion Armageddon, the last final battle between good and evil—the ultimate clash between the armies of Jesus Christ and Satan.

Ever since the Protestant Reformation, the pope has been a favorite of certain Evangelicals for the ignominious title. Many of the pontiffs in the Middle Ages did exercise great power over the rulers and the people of the emerging European nations; and consequently, there were numerous embittered princes and fiery Protestant leaders who did seek to affix the blame for a large number of repressive social and religious programs on the Vatican.

However, contemporary popes have wielded little political influence, surely none that would place them in world-threatening positions. There have been such men as Aleister Crowley (1875–1947), who actually appeared to covet and campaign for the position by calling himself the Beast and 666. Hollywood has capitalized on the fascination of certain Christians and horror movie fans with the menacing evil of the Antichrist and depicted him in a number of motion pictures. In Rosemary’s Baby (1968), an unsuspecting young wife (Mia Farrow) is selected to bear the Antichrist after her husband (John Cassavetes) makes a pact with Satan.

The Omen (1976) spawned a series of three films that follow the Antichrist from early childhood to his position of wealth, power, and charismatic mastery as an adult. In the first of these films, Gregory Peck, as the unsuspecting surrogate father of the Antichrist, is warned of his son’s true identity by a number of priests and other individuals who all meet untimely warnings as the babble of the demented, he is later shocked to discover the numerals “666” on his son’s scalp and he resolves to do whatever must be done to stop Satan’s will from being accomplished. In spite of a valiant effort on the part of the father, who now concludes rightfully that his true son was killed and supplanted by the disciples of the Antichrist, the demon seed continues his destructive path to world domination in two additional films.

Number of the Beast Is 666
(artist : William Blake, year : 1850)

In the The Chosen (1977), Kirk Douglas plays another unaware father, an industrialist specializing in building nuclear power plants, who comes to realize that his son (Simon Ward) is the Antichrist. In Lost Souls (2000), a devout teacher played by Winona Ryder must convince an unsuspecting young journalist that he is the Antichrist before the fated hour when his newly awakened demonic awareness will seize control of his consciousness. Arnold Schwarzenegger is challenged by the almost impossible mission of preventing Satan (Gabriel Byrne) from fathering the Antichrist in End of Days (2000). In Stigmata (2000), Byrne switches sides and plays a priest who fights to thwart satanic interference toward a young stigmatist, a woman who bears the bleeding wounds of Christ’s crucifixion. Bless the Child (2000) portrays a desperate mother (Kim Basinger) who must somehow prevent her specially gifted and blessed child from becoming the human sacrifice that would grant the Antichrist his full-powered entry into the world.

Christians who believe completely that the end times drama will play out according to certain scriptural references maintain a wary eye for signs of the Antichrist and the onset of the Apocalypse, but not all Christians accept the warnings of the advent of the Beast with his telltale numerical designation of 666 or believe that the traditional scenario of the Antichrist and his seven-year reign has any real relevance to the actual “signs in the sky” that will precede the Second Coming of Christ. In today’s world the term “antichrist” lost much of its power to provoke fear after the concept entered the popular mass culture.

For millions of modern secular men and women, the Beast 666 has become merely a sinister, but always defeated, villain in horror movies, and his once dreaded title is often loosely applied in an offhanded manner to everything from cartoon figures to a wide range of men and women in a vast spectrum of modern society. In the Bible, the Book of Revelation (13:17-18) cryptically asserts 666 to be "the number of a man," associated with the beast, an antagonistic creature that appears briefly about two-thirds into the apocalyptic vision.

The author challenges the reader to figure out the symbolism of this number, a challenge that has inspired mystics and would-be prophets ever since. It is assumed by many biblical scholars to refer to Emperor Nero. The number is arrived at by presenting Nero's name in Greek (Kaisar Neron) and transforming it into Hebrew whose letters also have a numeric value. The number of people who have been proposed to be the man whose number is 666 is vast and ever growing; it usually does not demand much ingenuity to find several ways to connect one's political or religious opponent with the number 666, since there is no biblical restriction on how a connection between a man and the number may be established.

In modern popular culture, 666 has become one of the most widely recognized symbols for the Antichrist or, alternately, the Devil. Earnest references to 666 occur both among apocalypticist Christian groups and in explicitly anti-Christian subcultures such as that surrounding some heavy metal bands. An appearance of the number 666 in contemporary Western art or literature is more likely than not an intentional reference to this number of the Beast symbolism. Such popular references to 666 are too numerous to list here. It is not uncommon to see the symbolic role of the integer 666 transferred to the digit sequence 6-6-6. Some people take the satanic associations of 666 so seriously that they actively avoid things related to 666 or the digits 6-6-6. This is known as hexakosioihexekontahexaphobia. Until now that number has a lot of interpretation, is it a satanic symbol or its just a number? No one knows. The truth is out there...

(Taken from many sources)
18:36 | 2 komentar


In the folklore of the Australian Aborigine, a bunyip is a roaring, man-eating monster that lives in lakes and swamps and billabongs, waiting in the dead of night to grab his unwary victim and drag him or her down to the bottom, where he then eats the poor wretch The bunyip loomed large in the traditional beliefs and stories of Aboriginal groups in many different parts of Australia, particularly in the eastern states, where there were large and relatively permanent bodies of water compared to the more arid areas of the western third of the continent (there are, nevertheless, also some accounts of this creature in Western Australia). Although its name might vary from tribe to tribe, the bunyip’s appearance and habits were essentially the same: it was large, black, often hairy (some versions describe the creature as furry, others as feathered).

It possessed enormous baleful, shining eyes, was given to making bellowing or booming noises in the middle hours of darkness, and preferred to emerge on moonlit nights to catch and noisily dine on whatever luckless human prey came within reach.

Illustration of Bunyip

Many colonists and a number of scientists throughout the nineteenth century believed in the existence of this Australian werewolf, although accumulated experience should have told them (and certainly ought to have informed the Aborigines themselves, since there is strong evidence that they have inhabited the Australian continent for at least 60,000 years) that there are no large dangerous animals indigenous to this country. Nevertheless, the Sydney Morning Herald reported on June 19, 1847, that a bunyip had been sighted on the Murrumbidgee River in southeastern New South Wales, “about as big as a six months old calf, of a dark brown color, a long neck, a long pointed head, large ears, a thick mane of hair from the head down the neck, and two large tusks.” An account appeared in the Wagga Wagga Advocate (southcentral New South Wales) on April 13, 1872, in which a group of settlers watched “a bunyip swimming in a lagoon.” A year later this creature, or one of its cousins, was seen quietly disporting itself in a lake in the same district.

Although no documented physical evidence of bunyips has been found, it has been suggested by cryptozoologists that tales of bunyips could be Aboriginal folk memory of the Diprotodon, or other extinct Australian megafauna which became extinct some 50,000 years ago, such as the Procoptodon, a Kangaroo-like animal, that had a rounded face and could lift its arms above head height, or the Quinkana, a land-crocodile. The cries of the possum or koala could likely be mistaken for the bunyip, as most people are surprised to find koalas or possums are capable of such loud roars.

The Barking Owl, a nocturnal bird that lives around swamps and billabongs in the bush is sometimes credited for making the sounds of the bunyip. The bird is known to make a call that can easily be mistaken for the cries of a woman or child. Other species of birds, such as Bitterns and Bush Stone-Curlews emit blood curdling sounds that were sometimes attributed to bunyips. However, this is unlikely as the aborigines, having lived in Australia for such a vast amount of time would know these sounds. A likely explanation for the legend of the bunyip relates to their reported locations on the Murray-Darling Basin.

Australian Fur Seals are known to swim up the river system during times of flood, subsequently becoming trapped within the river system once the flooding subsides. There have been dozens of Fur Seals killed or captured as far north as Canberra, incidentally, in close proximity to areas where a Bunyip has been heard or sighted. To an inland dwelling Aborigine, a Fur Seal, seen for the first time, would be a completely unfamiliar and frightening creature. Furthermore, many recorded descriptions of bunyips bear some commonality with seal physiology.

(Taken from many sources)
18:21 | 0 komentar

Andros Platform

Andros is the largest of the Bahama Islands, south of Bimini, where an underwater feature discovered in 1969 has been associated with Atlantean civilization ever since. Floridians Dr. Gregory Little and his wife, Lora, found a sunken site in Nicolls Town Bay, near the extreme northeast end of Andros 34 years later. They learned of its general position from a former dive operator, Dino Keller, who claimed to have navigated his boat inside a coral reef usually approached on the outside. There, in 1992, Keller observed a large structure similar to the so-called “Bimini Wall,” under some 10 feet of water. Following Keller’s directions, in March, 2003, Dr. Little snorkeled about 600 yards from shore to find a 1,375-foot long, 150-foot wide arrangement of cyclopean blocks in three well-ordered sloping tiers interspersed by two bands of smaller stones.

Although standing 15 feet beneath the surface, its top section is 10 feet deep, as described by Keller. The large stones comprising the tiers average 25 × 30 feet, and 2 feet thick. Each of the three tiers is 50 feet wide. Some suggestion of a ramp was discerned leading from the floor of the harbor lagoon to the top of the platform.

The feature’s regular appearance and almost uniformly square-cut blocks, given its location at a natural harbor in the North Atlantic Current, suggest it may have been a quay, breakwater, or port facility of some kind. Underscoring this characterization, together with the ramp, are a number of 5-inch wide and deep rectangles resembling post-holes cut into some of the cyclopean stones just below the uppermost tier. These holes may have held mooring pylons used to tie up docked ships. Most if not all of the blocks themselves appear to have been quarried from local beach rock and deliberately set in place, a marine construction practice common in the ancient Old World. Dr. Little believes the formation could only have been built 10,000 years ago, when sea levels were low enough for its creation.

Andros Platform-The Blocks That Have Been Found 15 Feet Beneath The Surface

But archaeologists are certain that nothing of the kind existed in the post glacial epoch. Sea levels would have dropped sufficiently, however, between 1600 and 1500 B.C., during the middle to late Bronze Age—a far more likely period for construction, if only because similar harbor works were already in use throughout the eastern Mediterranean by that time. Moreover, Lake Superior copper mining was simultaneously nearing the zenith of its output. A port located off the North American coast, situated in the heart of the North Atlantic Current, would have been a valuable asset for freighters carrying cargos of mined copper back to their headquarters in Atlantis. An Atlantean connection is, after all, suggested in the Andros platform’s six alternating bands of stone: 6 was the sacred numeral of Atlantis, whose cityplanners incorporated the holy number in the capital’s alternating stone walls, according to Plato’s description of the sunken civilization.

(Source : Atlantis Encyclopedia)
16:45 | 1 komentar

Black Madonna of Czestochowa

Of the more than 400 images of the Black Madonna or Black Virgin known worldwide, the image of Our Lady in Czestochowa, Poland, has received the most recent recognition because of the personal devotion displayed toward this religious icon by Pope John Paul II (1920– ). The pope, a native of Poland, prayed before the Madonna of Czestochowa in 1979, several months after his election to the Chair of Peter, and he is known to have made subsequent visits in 1983 and in 1991. The reports of miracles and healings attributed to Our Lady of Czestochowa (also known as Our Lady of Jasna Gora) through the centuries are numerous. They include Our Lady greatly enhancing the ability of a small group of Polish defenders to protect her sanctuary from an army of Swedish invaders in 1655 and her holy apparition appearing to disperse an invading army of Russians in 1920. Records of such spectacular acts of intervention and dramatic cures are kept in the archives of the Pauline Fathers at Jasna Gora, the monastery site in which the portrait was housed for six centuries. The Black Madonna of Czestochowa is of such antiquity that its origins are unknown.

Tradition has it that St. Luke, the “beloved physician,” painted the portrait of Jesus’s mother on the cedar wood table at which she took her meals. Two centuries later, during her visit to the Holy Land, St. Helena (c. 248–c. 328), the Queen-Mother of Emperor Constantine (d. 337), is said to have discovered the portrait and brought it to Constantinople in the fourth century.

Altar of Black Madonna in Polland

Five centuries later, determined to save the image of the Madonna from the repeated invasions of the Tartars, St. Ladislaus (1040– 1095) took the portrait to Opala, Poland, the city of his birth, for safekeeping. Regretfully, not long after its move, a disrespectful Tartar arrow managed to find its way to the Madonna’s throat, inflicting a scar that still remains visible. In 1430, Hussite thieves stole the portrait and broke it into three pieces. Contemporary scholar Leonard Moss has argued against a vast antiquity for the Black Madonna of Czestochowa, claiming that the figure of the woman in the portrait was painted in a distinctly thirteenth- or fourteenthcentury Byzantine style. Janusz Pasierb, another scholar who examined the portrait, counters such an assertion, stating that the image was “painted virtually new” in 1434 because of the extensive damage that the portrait had suffered at the hands of vandals.

Another aspect of the mystery of Our Lady of Czestochowa and all the other Black Madonnas that has puzzled many individuals is why they are portrayed with such dark skin tones. Some scholars answer this by stating that it wasn’t until the onset of the Renaissance in the fourteenth century that Jesus, Mary, and Joseph began being portrayed with pale skin, blue eyes, and blond or reddishblond hair. Prior to that period, the Holy Family and the apostles were most often depicted as semitic people whose dark skin tones reflected the hot arid climate in which they lived. If the Black Madonna of Czestochowa was truly a portrait of Mary that had been painted from life by the apostle Luke, he would surely have captured a woman with olive or dark brown skin and black or brown hair.

Other researchers into the mystique of the Black Madonna state that the reasons that the Roman Catholic Church in general has not warmly embraced such depictions of the Holy Mother or Virgin Mary are because they fear that such representations are actually paying tribute to the ancient goddesses and Earth mothers and that these images perpetuate strains of pagan worship of the female principle. For example, church scholars point out that St. Germain de Pres, the oldest church in Paris (Par-isis, the Grove of Isis), was built in 542 on the site of a former temple dedicated to Isis. Isis had been the patron goddess of Paris until Christianity replaced her with St. Genevieve.

Within the church of St. Germain de Pres, however, parishioners worshipped a black statue of Isis until it was destroyed in 1514. Christianity warred against goddess worship from the days of the apostles when St. Paul (d. 62–68 C.E.) found to his great frustration that his message was being shouted down by the crowds at Ephesus who pledged their obeisance to Diana. Until they had been romanized and westernized, Diana/Artemis, together with the other two preeminent goddesses of the East, Isis and Cybele, were first represented as black madonnas. And before the people of the East bent their knees to Diana, Isis, and Cybele, they had worshipped the Great Mother as Inanna in Sumeria, as Ishtar in Babylonia, and as Astarte among the Hebrews.

Most scholars agree that among the first images of the Black Madonna and her son were representations of Isis and Horus. The Black Madonna may also refer to Mary Magdalene, who, in the traditions of many Christian sects, such as the Gnostics, was the wife of Jesus (c. 6 B.C.E.–c. 30 C.E.) In this interpretation of the events that occurred after Jesus’ death at the hands of the Romans, Mary brought the cup used at the Last Supper— the Holy Grail—from Palestine to southern France, where it would eventually be guarded by the Knights Templar.

There is also a belief that Mary arrived in France carrying within her womb a child fathered by Jesus of Nazareth, who then became the progenitor for the royal family of France. For those who hold such beliefs, the Holy Grail is but a metaphor for Mary Magdalene’s womb, which carried the true blood of Jesus in the person of his unborn son. Therefore, many of the depictions of the Black Madonna and child throughout the regions of southern France and Spain may be regarded as images of Mary Magdalene carrying the infant son of Jesus rather than the Virgin Mary carrying the infant Jesus.

(Source : Encyclopedia of Unusual and Unexplained Things)
16:45 | 0 komentar

Kraken Monster

The Kraken is the fabled sea monster said to have been sighted frequently off the coast of Norway; it was apparently quite capable of dragging the largest ships to the bottom and simply by submerging itself it could suck a vessel to its doom by means of the whirlpool it thereby created. Brewer says that the Kraken was first described by Erik Pontoppidan in his Natural History of Norway (1752; Pontoppidan, 1698–1764, was bishop of Bergen at the time). “Kraken” is probably from the Old Swedish kraken and the Danish krage, stump or stem of a tree, from a claimed resemblance to the infamous and decidedly uncouth monster. Pontopiddan described this creature as “a mile and a half wide.” Clearly, even allowing for regional variations in what constituted a proper Christian mile, this was a beast of no mean proportions.

Pontoppidan’s assertion that the creature’s “discharges turn the sea murky” point to the likelihood that the dreaded Kraken was nothing but a giant cuttlefish. The sea monsters of Scandinavia were of a peculiarly clerical bent: they seemed regularly to manifest themselves to seagoing clergy. Hans Egede, a Norwegian missionary (1686–1758) and later bishop of Greenland, described in 1741 a monster seen in those waters: The Monster was of so huge a Size, that coming out of the Water its Head reached as high, as the Mast-Head; its Body was as bulky as the Ship, and three or four times as long. It had a long pointed snout, and spouted like a Whale-Fish; great broad Paws, and the body seemed covered with shell-work, its skin very rugged and uneven. The under Part of its Body was shaped like an enormous huge serpent, and when it dived again under Water, it plunged backwards into the Sea and so raised its Tail aloft, which seemed a whole Ship’s Length distant from the bulkiest part of its body.

According to one of the stories, the Kraken spends its time sleeping on the seabed and feeding on huge seaworms now and then, and when the fires of hell warm the ocean beyond the point of comfort (as determined by Krakens), the beast will rise to the surface and die. Other accounts have it lounging around on the surface like an island. In 1555 Olaus Magnus (1490–1557), the Catholic archbishop of Sweden, said this monster had skin that looked so much like beach shingle that seamen were often beguiled into landing on it and cooking their food (a curious action, one would have thought, since all voyaging vessels were equipped with their own galleys for just such a purpose).

There is an illustration in Encyclopedia of World Mythology showing a section of the North Sea in a sixteenth-century marine chart where a large sailing vessel has set its anchor into one of these monsters, two seamen meanwhile busily cooking a meal over a fire on the creature’s back—clearly, an indication that the Kraken is regarded as being so huge that its particularities cannot be distinguished. Woodcuts of this nature, embellished with many dire warnings, were common on early sea charts for hundreds of years. Archbishop Magnus was something of an historian, and because of the reports and descriptions that he appended on his maps he also became the authority of his time on fabulous sea monsters, his drawings of which were copied and passed on by other writers and mapmakers. He described a local monster, the Soe Orm, in the following terms: A very large Sea-Serpent of a length upwards of 200 feet and 20 feet in diameter which lives in rocks and in holes near the shore of Bergen; it comes out of its cavern only on summer nights and in fine weather to destroy calves, lambs, or hogs, or goes into the sea to eat cuttles, lobster, and all kinds of sea crabs. It has a growth of hairs of two feet in length hanging from the neck, sharp scales of a dark brown color, and brilliant flaming eyes.

Clearly, this is a sea monster with a difference: it has developed the characteristics of an amphibian in order to satisfy a very comprehensive diet. Mercatante tells us of a bishop (a Danish priest, according to Kemp) who, returning by sea to his own country, spies what he thinks is an island; he goes ashore and celebrates Mass, and it is only when he boards his ship again that he realizes that the island is in fact a Kraken, idly floating on the surface of the sea (see Voyages of Saint Brendan, chapter 3, for an account of a similar incident). Rogers makes the sensible suggestion that the Kraken was in fact a gigantic squid or octopus; he mentions the fact that Frank Bullen (an English whaling captain; his book The Cruise of the “Cachalot” is an interesting account of nineteenthcentury whaling) once saw a large sperm whale attacking an octopus—it may have been a squid; both were the natural prey of these whales, which they almost equaled in size.

Kemp shows a late-eighteenth-century engraving of a large vessel being overwhelmed by a Kraken, which the artist has depicted as a giant octopus (although its eyes are curiously situated at the roots of two of its tentacles). Rogers also records that in 1873 two fishermen were attacked by an octopus in Newfoundland waters; they managed to drive it away by chopping off two tentacles. Later measurements indicated that the creature would have been some 80 feet across its spread-out diameter, a compelling bulk.

Interestingly, Rogers insisted that the sperm whale, the famous cachalot, is capable of swallowing a man, and he included an authenticated account, one of a number of such, in his book Ships and Sailors (see, for example, Jonah and the Whale, below, for just such an account). The sperm whale will actually devour a giant squid, and sections of the tentacles of those creatures are at least as thick as a man—all of which makes the story of Jonah’s three-day sojourn in the belly of “a great fish” not at all difficult to swallow.

The English writer John Wyndham (1903–1969) created a Kraken that was very much alive in his science-fiction novel The Kraken Wakes (1953), in which the beast bursts into life and wreaks destruction on everything it encounters. It is likely that the Kraken and the sea serpent are in fact the giant squid known as Architeuthis, examples of which have been discovered in the past century afloat and washed up on beaches, especially in cold climates. The sea serpent sighted from HMS Daedalus (see Captain M’Quhae’s Monster, above) may well have been Architeuthis swimming on the surface with its flattened broad-arrow tail that actually precedes the animal as it moves through the water, looking for all the world like a huge snake—the quintessential description of the sea serpent of myth.

In 1861, while approaching Tenerife in the Canary Islands off the northwest coast of Africa, the French steamer Alecton came across a giant squid on the surface of the sea. The commander, Lieutenant Bouyer, reported that it was up to 18 feet long with a head shaped much like a parrot’s beak (characteristic of the giant squid), arms 5 to 6 feet long, and colored brick red; it looked like a “colossal and slimy embryo [that] has a repulsive and terrible appearance.” This was in fact Architeuthis, the giant squid, specimens of which were found on beaches in Newfoundland in the period 1870–80, some of the bodies being over forty feet long. Then, for reasons unknown, the creatures disappeared from the waters of Newfoundland and relocated themselves to New Zealand, whence they wandered to sites as disparate as Iceland, Norway, South Africa, and Cape Cod.

Examination of carcasses shows that Architeuthis has the largest eyes in the animal kingdom (as large as the hubcap of a car, as Richard Ellis colorfully puts it), indicating that they live at great depths in the ocean. The suckers on each of their ten arms are each equipped with a ring of teeth that can immovably grip prey; where the arms meet at the head there is an enormous beak used for ripping flesh from creatures as large as sperm whales, though the whales are believed to dive to prodigious depths to seek, in return, their favorite food, the giant squid. But one thing is certain: no amount of scientific explanation, nor even the production of suitably gigantic carcasses as tangible proof, will convince those who prefer shivery myth and mystery to the plain austerity of everyday fact.

(Source : Seafaring, Lore, and Legends)
20:30 | 2 komentar


For many conspiracy theorists, the Illuminati is the ultimate secret society, a group that stretches its tentacles of control to encompass the entire world. According to these theorists, the members of the Illuminati are the real rulers of the world, and they have been pulling the strings from behind the political scenes for centuries. They have infiltrated every government and every aspect of society around the planet—and some say that their ultimate goal is to accomplish a satanic New World Order, a one-world government, that will prepare Earth’s citizens for the coming of the Antichrist. Although such paranoid claims make for exciting reading, the Illuminati of history, rather than legend, was a secret society formed in Bavaria in 1776 with the political goal of encouraging rebellion of the people and the abolition of the established monarchies.

Structuring the society along the lines of the classes and orders of the Freemasons, the Illuminati included levels of enlightenment that could be achieved by undergoing initiation through various mystical rites and ceremonies. Although the society’s founder, a professor of religious law named Adam Weishaupt, sought to establish a new world order in the late eighteenth- century, the Illuminati was destroyed within 15 years of its founding. The term “Illuminati” was first used by Spanish occultists toward the end of the fifteenth century to signify those alchemists and magicians who appeared to possess the “light” of spiritual illumination from a higher source.

Illuminati Symbol

The term may have originated in the Gnostic dualism of the forces of Light and Darkness, and many individuals who claimed to be Illuminati, those enlightened by a higher wisdom, joined the Rosicrucians and took refuge in France to escape the fires of the Spanish Inquisition. The secret society known as the Order of the Illuminati was founded in the city of Ingolstadt in the southern German monarchy of Bavaria on May 1, 1776 by Adam Weishaupt, a 28-year-old professor of religious law. Beginning with only five members, Weishaupt’s order grew slowly, numbering about 60 in five cities by 1780. The professor deliberately blended mysticism into the workings of the brotherhood in order to make his agenda of republicanism appear to be more mysterious than a political reform group. He joined the Masons in Munich in 1777 and adopted many of their classes and orders and promised his initiates that they would receive a special communication of occult knowledge as they advanced higher in the ranks of the Illuminati.

Organization Structure

Weishaupt’s society had little effect on the German political structure until 1780 when he attracted the interest of Adolf Francis, the Baron Von Knigge, a master occultist and a man who had risen to the highest levels in many of the secret societies that preceded the Illuminati, including the Masons. Knigge had no problem melding his interest in the supernatural with Weishaupt’s goal of political revolution, and the two men quickly established branches of the Illuminati throughout all of Germany.

A few months after Knigge had joined Weishaupt’s cause, membership in the Illuminati swelled to 300. Weishaupt had taken great care to enlist as many young men of wealth and position as possible, maintaining that philanthropy, as well as mysticism, was a principal goal of the society. He had also managed to create around himself a great aura of mystery, permitting himself to be seen by none but those in the highest ranks of the society, encouraging the myth that he was an adept of such great power that he existed largely as an invisible presence. Initiates into the ranks of the Illuminati underwent secret rites, wore bizarre costumes, and participated in grotesque ceremonies that were designed to give complete obedience to Weishaupt. Soon the Illuminati became a force to be reckoned with behind the scenes in Germany’s political life, and its members worked secretly to overthrow both church and state.

Illuminati Symbol in One US Dollar

As their influence as a secret society grew, Weishaupt and Knigge became concerned that a good many authorities were beginning to take seriously the rumors of the existence of the Illuminati. If it should be proven that the society existed in fact, certain of the more powerful German princes would take immediate steps to suppress it. To hide the society even more completely from the scrutiny of public view, the leaders implemented Weishaupt’s original plan of grafting the Illuminati onto the larger brotherhood of the Freemasons. The Illuminati were already utilizing the classes and grades of Freemasonry, so the initiates of the Illuminati would easily amalgamate with the more established society. To appear to become one with the Freemasons would allow Illuminism to spread more widely and rapidly, and Weishaupt and Knigge had great confidence that they would soon attain complete control over the blended organizations.

The hierarchy within the Freemasons were not long in discovering that the two interlopers had joined the fraternal brotherhood with less than honorable motives, and in 1782, a group within the Masons called the Strict Observance demanded that a council be held at Wilhelmsbad to examine the true beliefs of Weishaupt and the Illuminati. Knigge’s powers of persuasion effectively blocked the attempt of the Strict Observance contingent to expel Illuminism from their society, and he managed to enroll almost all the members of the council in the Illuminati.

By 1784, Illuminati membership had risen to 3,000, and the secret society appeared on the verge of assuming control of the entire Masonic establishment. At the same time that their goals seemed within their grasp, Weishaupt and Knigge fell into a sharp disagreement about the correct manner of proceeding with their master plan; and in April 1784, Knigge withdrew from the Illuminati, leaving Weishaupt the supreme commander of the increasingly powerful society. Later in that same year, a number of initiates who had reached the highest level within the Illuminati became disillusioned when the special supernatural communication from a higher source that Weishaupt had promised had still not manifested after eight years of membership in the society. It now became obvious to them that Weishaupt had only sought to use them as blind instruments for the achievement of his political ambitions.

The Illuminati was denounced as a subversive organization by many of its former members, some of whom informed the duchess dowager Maria Anna of Bavaria and the Bavarian monarch, Carl Theodore, that the society sought the overthrow of church and state. In June 1784, Carl Theodore issued an edict outlawing all secret societies in his provinces. In March 1785, another edict specifically condemned the Illuminati. Weishaupt had already fled to a neighboring province in February, 1785, where he hoped to inspire the loyal members of the Illuminati to continue as a society. In 1787, the duke of Bavaria issued a final edit against the Order of the Illuminati, and Weishaupt apparently faded into obscurity. Although he never realized his goal of a German Republic and the overthrowing of the European monarchies, the sparks that he had ignited with the Illuminati would soon burst into the flames of the French Revolution in 1789.

(Source : Encyclopedia of Unexplained and Unusual Things)
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Prambanan Temple

The Prambanan temple complex consists of three zones. The outer zone is a large space marked by a rectangular wall (destroyed). The original function is unknown; possibilities are that it was a sacred park, or priests' boarding school (ashram). The supporting buildings for the temple complex were made from organic material; as a consequence no remains occur. The middle zone consisted of four rows of 224 individual small shrines. These concentric rows of temples were made in identical design. Each row towards the center is slightly elevated. These shrines are called "Candi Perwara" or complementary temples, the additional buildings of the main temple. Some believed it was offered to the king as a sign of submission. The Perwara are arranged in four rows around the central temples, some believed it has something to do with four castes, made according to the rank of the people allowed to enter them; the row nearest to the central compound was accessible to the priests only, the other three were reserved for the nobles, the knights, and the simple people respectively.

Prambanan Main Temple

While another believed that the four rows of Perwara has nothing to do with four castes, it just simply made as meditation place for priests and as worship place for devotees. The central compound is the holiest among the three zones. Its the square elevated platform surrounded by square stone wall with stone gates on each four cardinal points. This holiest compound is assembled of eight main shrines or candi. The three main shrines, called Trimurti ("three forms"), are dedicated to the three gods: Brahma the Creator, Vishnu the Keeper, and Shiva the Destroyer. The other three shrine in front of three main temples is dedicated to vahana of each gods. Between these row of main temple, on north and south side stands two Candi Apit.

Map of Prambanan Temple

Beside these 8 main temples, there's also 8 smaller shrines; 4 Candi Kelir on four cardinal direction of the entrance, and 4 Candi Patok on four corner. The Shiva shrine at the center contains five chambers, four small chamber in every cardinal direction and one bigger main chamber in central part of the temple. The east chamber connect to central chamber that houses a three meter high statue of Shiva Mahadeva. The statue of Shiva stands on Yoni pedestal that bears the carving of Naga serpents on north side of pedestal. The other three smaller chambers contain statues of Hindu Gods related to Shiva; his consort Durga, the rishi Agastya, and Ganesha, his son. Statue of Agastya occupy the south chamber, the west chamber houses the statue of Ganesha, while the north chamber contains the statue of Durga Mahisasuramardini depicting Durga as the slayer of Bull demon. The shrine of Durga is also called the temple of Rara Jonggrang (Javanese: slender virgin), after a Javanese legend of princess Rara Jonggrang.

The two other main shrines are that of Vishnu on the north side of Shiva shrine, and the one of Brahma on the south. Both temple facing east and each contain only one large chamber, each dedicated to respected gods; Brahma temple contains the statue of Brahma and Vishnu temple houses the statue of Vishnu. In front of each main temple is a smaller temples on the east side, dedicated to the mounts (vahana)of the respective gods - the bull Nandi for Shiva, the gander Angsa for Brahma, and Vishnu's Eagle Garuda. Garuda holds important role for Indonesia, which serves as the national symbol of Indonesia, also to the airline Garuda Indonesia. The bas-reliefs along the balustrades on the gallery around Shiva and Brahma temple depict the Ramayana legend. They illustrate how Sita, the wife of Rama, is abducted by Ravana. The monkey king Hanuman brings his army to help Rama and rescue Sita. This story is also shown by the Ramayana Ballet, regularly performed at full moon at Trimurti open air theatre in west side of the illuminated Prambanan complex. On the balsutrades in Vishnu temple there is series of bas-relief depict the story of lord Krishna.

The Legend of Rara Jonggrang
The popular legend of Rara Jonggrang is what connects the site of the Ratu Boko Palace, the origin of the Durga statue in northern cell/chamber of the main shrine, and the origin of the Sewu temple complex nearby. The legend tells of the story about Prince Bandung Bondowoso who fell in love with Princess Lara Jonggrang, the daughter of King Boko. But the princess rejected his proposal of marriage because Bandung Bondowoso had killed King Boko and ruled her kingdom. Bandung Bondowoso insisted on the union, and finally Rara Jonggrang was forced to agree for a union in marriage, but she posed one impossible condition: Bandung must build her a thousand temples in only one night.

Statue of Durga (Rara Jonggrang)

The Prince entered into meditation and conjured up a multitude of spirits (demons) from the earth. Helped by supernatural beings, he succeeded in building 999 temples. When the prince was about to complete the condition, the princess woke her palace maids and ordered the women of the village to begin pounding rice and set a fire in the east of the temple, attempting to make the prince and the spirits believe that the sun was about to rise. As the cocks began to crow, fooled by the light and the sounds of morning time, the supernatural helpers fled back into the ground. The prince was furious about the trick and in revenge he cursed Rara Jonggrang to stone. She became the last and the most beautiful of the thousand statues. According to the traditions, the unfinished thousandth temple created by the demons become the Sewu temple compounds nearby (Sewu means "thousands" in Javanese), and the Princess is the image of Durga in the north cell of the Shiva temple at Prambanan, which is still known as Rara Jonggrang or Slender Virgin.

(Source : Wikipedia)
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